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	<title>Giorgia Agnese Cereda</title>
	<link>https://giorgiacereda.com</link>
	<description>Giorgia Agnese Cereda</description>
	<pubDate>Fri, 03 Feb 2023 15:25:05 +0000</pubDate>
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		<title>Selected Painting</title>
				
		<link>https://giorgiacereda.com/Selected-Painting</link>

		<pubDate>Fri, 17 Jan 2020 14:11:12 +0000</pubDate>

		<dc:creator>Giorgia Agnese Cereda</dc:creator>

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	&#60;img width="1496" height="1884" width_o="1496" height_o="1884" data-src="https://freight.cargo.site/t/original/i/e40cbd37f531768a1c8914e2fa7ee0eb7f5c0a3d1bb992ab44ab0b0dda19653e/Giorgia-Agnese-Cereda--2838--olio-su-tavola.png" data-mid="135981722" border="0" alt="&#38;quot;2838&#38;quot;, 2021, monotype and oil on board, 37 x 30 cm." data-caption="&#38;quot;2838&#38;quot;, 2021, monotype and oil on board, 37 x 30 cm." src="https://freight.cargo.site/w/1000/i/e40cbd37f531768a1c8914e2fa7ee0eb7f5c0a3d1bb992ab44ab0b0dda19653e/Giorgia-Agnese-Cereda--2838--olio-su-tavola.png" /&#62;

	
	

28382021, monotype and oil on board, 37 x 30 cm.
Part of the Venice Time Case itinerant exhibitions, curated by Luca Massimo Barbero.




	&#60;img width="1493" height="1185" width_o="1493" height_o="1185" data-src="https://freight.cargo.site/t/original/i/7435b355a6ee1daafe09e771171466520c24da1dc0a59af0828539e24585e4e0/Giorgia-Agnese-Cereda--2838--dettaglio.png" data-mid="135982988" border="0" alt="&#38;quot;2838&#38;quot;, detail." data-caption="&#38;quot;2838&#38;quot;, detail." src="https://freight.cargo.site/w/1000/i/7435b355a6ee1daafe09e771171466520c24da1dc0a59af0828539e24585e4e0/Giorgia-Agnese-Cereda--2838--dettaglio.png" /&#62;&#60;img width="1368" height="1085" width_o="1368" height_o="1085" data-src="https://freight.cargo.site/t/original/i/7855c7d5d4dc294f9fd41fa75a9feb9ac7a5bd3337014cd32a190eb3991f3864/Giorgia-Agnese-Cereda--2838--dettaglio2.png" data-mid="135982989" border="0" alt="&#38;quot;2838&#38;quot;, detail." data-caption="&#38;quot;2838&#38;quot;, detail." src="https://freight.cargo.site/w/1000/i/7855c7d5d4dc294f9fd41fa75a9feb9ac7a5bd3337014cd32a190eb3991f3864/Giorgia-Agnese-Cereda--2838--dettaglio2.png" /&#62;
	
	2838, details.




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Quinta 2021, oil on canvas, 195 x 140 cm.
Quinta rappresenta una scena di backstage, un momento catturato durante lo svolgersi di un servizio fotografico nella mia camera da letto. 



Le due ragazze, le mie coinquiline di allora, indossano vestiti realizzati appositamente per loro, immortalate in atteggiamenti spontanei di cura reciproca, mentre altre presenze nascoste fanno capolino tra gli oggetti di scena.


L’ampia dimensione del quadro, il taglio fotografico e il punto di vista posto all’altezza della figura inginocchiata invitano l’osservatore ad entrare a far parte dell’intimità della scena, mentre la spessa tenda blu fa a sua volta da quinta ad un ambiente nascosto, mistico e precluso.






	&#60;img width="4837" height="3490" width_o="4837" height_o="3490" data-src="https://freight.cargo.site/t/original/i/78b65b78c7b1f67488efda5cbdb4d26f0a9c0c628727d011cba468487b760ce6/CEREDA_After-dark--2021--olio-su-tela--80x110cm.jpg" data-mid="110984664" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/78b65b78c7b1f67488efda5cbdb4d26f0a9c0c628727d011cba468487b760ce6/CEREDA_After-dark--2021--olio-su-tela--80x110cm.jpg" /&#62;
	
	

After Dark 2021, oil on canvas, 80 x 110 cm.In After dark la notte sta finendo, la luce azzurrina dell’alba sfuma leggermente i contorni, una trama geometrica appare talvolta come un’ombra colorata intrappolata dentro le palpebre.













	
	



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After Dark, details.






	

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	Nictofobia: gattini 2018, oil on canvas, diptych 40 x 30 cm each.

La paura del buio e l’insonnia che provavo da bambina facevano sì che vedessi delle forme prendere vita, sugli scaffali e sulle mensole, negli angoli disordinati della mia cameretta. Giurerei che una notte, aprendo gli occhi, una mano sia apparsa all’improvviso, a pochi centimetri dal mio volto, con il dito indice puntato verso di me, il cui braccio partiva dalla libreria posizionata frontalmente al mio letto. Non sempre ero spaventata da queste apparizioni, talvolta stavo a fissarle a lungo, fino a quando, piano piano, il loro alone mi rimaneva impresso nella cornea e il buio le riassorbiva.
When I was a child, I used to see shapes come to life, on the shelves and in the messy corners of my bedroom, because of the fear of the dark and the insomnia I felt. I would swear that once at night, opening my eyes, I saw a hand suddenly appeared, a few centimeters from my face, with the index finger pointing at me, whose arm started from the bookcase positioned in front of my bed.






	&#60;img width="2794" height="3779" width_o="2794" height_o="3779" data-src="https://freight.cargo.site/t/original/i/f9aa7634b0cb3a7bd1b80dd266e2e1c21cadce60ac717d85eabc062095c1b2b2/nativity-300dpi3.jpg" data-mid="59131897" border="0"  src="https://freight.cargo.site/w/1000/i/f9aa7634b0cb3a7bd1b80dd266e2e1c21cadce60ac717d85eabc062095c1b2b2/nativity-300dpi3.jpg" /&#62;


	
	

Doni 2019, oil on canvas, 195 x 140 cm.
Il linguaggio pittorico all’interno della mia ricerca è spesso utilizzato quale mezzo iconologico e diventa, talvolta, esso stesso il protagonista, un filtro ombroso e stratificato che modifica la realtà, donandogli un’ulteriore chiave di lettura.
In Doni e In cammino, l’oggetto, rappresentato arbitrariamente fuori scala, attraverso le pennellate e le stratificazioni di colore più o meno dense subisce un camuffamento che ne ribalta il significato. Così come nella ritrattistica pittorica rinascimentale, le statue da presepe dipinte in grandi dimensioni acquistano una “presenza” verso cui ci si può confrontare; l’aspetto rigido, disequilibrato, e il corpo sproporzionato proprio delle statue di legno e terracotta, vengono qui camuffati dalle grandi dimensioni del dipinto e il volto viene ritratto all’altezza dello sguardo. Nasce così l’esigenza di cercare un contatto visivo, un confronto umano con la figura che la pittura stessa in quanto mezzo rappresentativo permette di realizzare.
The pictorial language within my research is often used as an iconological medium and sometimes becomes the protagonist itself, a shady and layered filter that modifies reality, giving it a further interpretation.

The object, deribelately represented out of scale, undergoes a camouflage that changes its meaning, through brushstrokes and more or less dense layers of color. As in Renaissance pictorial portraiture, the large-scale painted nativity statues acquire a “presence” towards which one can compare.





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Doni, detail.

.


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In cammino 2019, oil on canvas, 95 x 140 cm.






	


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Nite Glass 2018, oil on canvas, 102 x 78 cm.

Nite Glass è il ritaglio della superficie espositiva di una bancarella. Diversi componenti di lampadari in vetro di Murano dalle forme vagamente floreali si ammassano in vari livelli di trasparenza come fossero su una tavola imbandita; la coltre notturna e subacquea sfasa le forme e fa emergere la luce, creando una rete serpentina di sensazioni liquide. Oggetti derivati da una tradizione antica e di valore rimangono sospesi in una dimensione fuori dal tempo, sviliti dall’ammassarsi l’uno sull’altro in un contesto di mercificazione, riacquistano bellezza nel loro valore intrinseco.




Nite Glass is a cutout of the display surface of a&#38;nbsp; market stall. Different components of Murano glass chandeliers with vaguely floral shapes pile up in various levels of transparency as if they were laid out on table, the night and underwater blanket displaces the shapes and brings out the light, creating a serpentine network of liquid sensations. Objects derived from an ancient and valuable tradition remain suspended in a timeless dimension, having been debased massed together, one on top of the other in a marketised context, they regain beauty in their intrinsic value.













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Oil on paper





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&#60;img width="3349" height="2456" width_o="3349" height_o="2456" data-src="https://freight.cargo.site/t/original/i/f45afd09f437e0a85ea10f0e39ed56a027dd4b91fb8512c23d238c29cf052537/Scan1.jpg" data-mid="58852206" border="0"  src="https://freight.cargo.site/w/1000/i/f45afd09f437e0a85ea10f0e39ed56a027dd4b91fb8512c23d238c29cf052537/Scan1.jpg" /&#62;
&#60;img width="2798" height="3920" width_o="2798" height_o="3920" data-src="https://freight.cargo.site/t/original/i/cadd75800e019fc0827d32f973b2c6a2d82eece7197a8e08c510d0ae6fc15396/11.jpg" data-mid="58992609" border="0"  src="https://freight.cargo.site/w/1000/i/cadd75800e019fc0827d32f973b2c6a2d82eece7197a8e08c510d0ae6fc15396/11.jpg" /&#62;
&#60;img width="3285" height="2442" width_o="3285" height_o="2442" data-src="https://freight.cargo.site/t/original/i/d6b0fc43f514f8687cdca9360e10f63d55fcee776967254eb0d5bce3563e8eba/Scan2.jpg" data-mid="58852207" border="0"  src="https://freight.cargo.site/w/1000/i/d6b0fc43f514f8687cdca9360e10f63d55fcee776967254eb0d5bce3563e8eba/Scan2.jpg" /&#62;
&#60;img width="2736" height="1984" width_o="2736" height_o="1984" data-src="https://freight.cargo.site/t/original/i/9167a2ff7591f903e637201947dbe7850d1e680462171d0189e98dcab4562f2f/IMG_7913.jpg" data-mid="58851206" border="0"  src="https://freight.cargo.site/w/1000/i/9167a2ff7591f903e637201947dbe7850d1e680462171d0189e98dcab4562f2f/IMG_7913.jpg" /&#62;
&#60;img width="2439" height="3276" width_o="2439" height_o="3276" data-src="https://freight.cargo.site/t/original/i/d119073c94feea7e0bdfa63f639ac0cdd9a85234c04c9fe0a8d48e8c5611c5c1/Scan3.jpg" data-mid="58852023" border="0"  src="https://freight.cargo.site/w/1000/i/d119073c94feea7e0bdfa63f639ac0cdd9a85234c04c9fe0a8d48e8c5611c5c1/Scan3.jpg" /&#62;
&#60;img width="3060" height="2070" width_o="3060" height_o="2070" data-src="https://freight.cargo.site/t/original/i/ddd57cabc12de067aaad4de7aac922bee82145eca9be9014496d0d7af94b7cbc/IMG_7909.jpg" data-mid="58851204" border="0"  src="https://freight.cargo.site/w/1000/i/ddd57cabc12de067aaad4de7aac922bee82145eca9be9014496d0d7af94b7cbc/IMG_7909.jpg" /&#62;
&#60;img width="1000" height="1393" width_o="1000" height_o="1393" data-src="https://freight.cargo.site/t/original/i/636d6f95c70a4bf1dce8b90a6ee2fdaa89560e577ef76ec8c5a130e3c33567ef/IMG_7906.jpg" data-mid="58852205" border="0"  src="https://freight.cargo.site/w/1000/i/636d6f95c70a4bf1dce8b90a6ee2fdaa89560e577ef76ec8c5a130e3c33567ef/IMG_7906.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Mensole &#124; 2022</title>
				
		<link>https://giorgiacereda.com/Mensole-2022</link>

		<pubDate>Sat, 12 Mar 2022 17:33:04 +0000</pubDate>

		<dc:creator>Giorgia Agnese Cereda</dc:creator>

		<guid isPermaLink="true">https://giorgiacereda.com/Mensole-2022</guid>

		<description>

Pagina in costruzione.

</description>
		
	</item>
		
		
	<item>
		<title>Acqua che Sale &#124; 2022</title>
				
		<link>https://giorgiacereda.com/Acqua-che-Sale-2022</link>

		<pubDate>Fri, 03 Feb 2023 15:25:05 +0000</pubDate>

		<dc:creator>Giorgia Agnese Cereda</dc:creator>

		<guid isPermaLink="true">https://giorgiacereda.com/Acqua-che-Sale-2022</guid>

		<description>
Pagina in costruzione.
</description>
		
	</item>
		
		
	<item>
		<title>Quando_me ciaparà fogo la mona &#124; 2021</title>
				
		<link>https://giorgiacereda.com/Quando_me-ciapara-fogo-la-mona-2021</link>

		<pubDate>Thu, 10 Mar 2022 17:48:47 +0000</pubDate>

		<dc:creator>Giorgia Agnese Cereda</dc:creator>

		<guid isPermaLink="true">https://giorgiacereda.com/Quando_me-ciapara-fogo-la-mona-2021</guid>

		<description>&#60;img width="2460" height="1240" width_o="2460" height_o="1240" data-src="https://freight.cargo.site/t/original/i/bd5e2f77052355669a951d2f38da3df90cecba470936a55344be8963e38ac5bd/cartolina-retro-tagliata.jpg" data-mid="135911600" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/bd5e2f77052355669a951d2f38da3df90cecba470936a55344be8963e38ac5bd/cartolina-retro-tagliata.jpg" /&#62;





Quando_me ciaparà fogo la mona


Opera partecipativa.

2021 - 
cartoline in carta riciclata, frottage a grafite su carta pietra, dimensioni variabili.

Nel 1551, la Serenissima Repubblica di Venezia indisse un bando per sostituire la allora
struttura lignea del Ponte di Rialto con una più solida in pietra. Vista la
conformazione del territorio e la complessità dell’opera architettonica,
passarono 37 anni prima che i lavori prendessero il via, una lunga
attesa nella quale il popolo veneziano iniziò a burlarsi dell’effettiva
riuscita dei lavori.Si dice che, nel mezzo del mercato di Rialto, una popolana avesse
sentenziato: “quando che i finisse il ponte, me ciaparà fogo la mona”
(“quando finiranno il ponte mi prenderà fuoco la vagina”), e un
popolano avrebbe così rilanciato “sto ponte i lo finirà quando ch’el 
casso farà l’ongia!” (“questo ponte lo finiranno quando al mio pene
crescerà l’unghia”). Il ponte in pietra fu poi ultimato tra il 1588 e il 1591
e, in allusione a questa scommessa diventata famosa in tutta la città,
sulla facciata del palazzo dei Camerlenghi furono scolpiti due bizzarri
altorilievi, raffiguranti una donna-grifone recante una fiamma tra le
gambe e una figura maschile con un pene unghiato.
Una dedica alla diffidenza infondata, allo scetticismo verso un progetto
che pareva azzardato ma a cui, come mi piace pensare, l’atteggiamento
canzonatorio e genuino tipico dei veneziani sembra aver portato fortuna.
&#60;img width="2067" height="1474" width_o="2067" height_o="1474" data-src="https://freight.cargo.site/t/original/i/5c204c1c9d775ea00ad405b115ebd9f2ed3326d5d2e66e8db48650ccbc71c840/cartolina-fronte.jpg" data-mid="135910327" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/5c204c1c9d775ea00ad405b115ebd9f2ed3326d5d2e66e8db48650ccbc71c840/cartolina-fronte.jpg" /&#62;
Attraverso la realizzazione di cartoline compilabili dai visitatori, recanti
la frase “Quando... ...me ciaparà fogo la mona”, intendo mettere in
palio la mia salute intima e portare anche io un po’ di fortuna ai sogni, 
desideri e messaggi delle persone, verso un futuro migliore per la
città, un futuro migliore per se stessi o per il pianeta. Non si sa mai
che prima o poi s’avverino.




I frottage su carta pietra di porzioni del corrimano del Ponte di Rialto
mettono in luce l’erosione e il “consumo” irrispettoso a cui la città di
Venezia è quotidianamente soggetta. Affacciarsi alla balaustra del
Ponte in contemplazione del paesaggio e accarezzarne la superficie è
oggi una prerogativa delle decine di migliaia di turisti che vi si susseguono ogni giorno, per il tempo di una foto o di un bacio, per incidervi
un segno che dimostri loro il fatto di essere stati lì. 
Recandomi al Ponte di Rialto per la realizzazione dell’opera, sgomitando
tra i visitatori in transito, venendo da questi percepita come una parte
del loro sogno romantico veneziano, ancora una volta mi sono trovata
a immaginare l’inevitabile. Il destino di Venezia, da orgoglioso polo
commerciale, culturale e artistico, fiorente e prospero, ad oggi si regge
fondamentalmente sulla sua fama instabile di città-parco divertimenti,
a misura di un turismo “usa-e-getta” che la consuma e la erode
lentamente, che di essa percepisce solo un travestimento costruito
appositamente. In questo scenario gli abitanti autoctoni non trovano
né spazio né voce e il loro numero decresce costantemente.

Se questo è il presente, che direzione prenderà il futuro?
Quando_me ciaparà fogo la mona riporta in auge un’antica scommessa, 
in un epoca in cui si fa un gran parlare di opere a fin di bene la cui
effettiva realizzazione sembra non arrivare mai, vuole dar voce agli
scettici e alle scettiche come me che, sotto sotto, ancora sperano che 
Venezia torni ad essere amata per davvero.

&#60;img width="3166" height="4565" width_o="3166" height_o="4565" data-src="https://freight.cargo.site/t/original/i/ca011c36571bebad95e8d25ada2de336fe967b75acfb7ffd40285c1ff4733e63/frottage-1988-peace1.jpg" data-mid="135911594" border="0"  src="https://freight.cargo.site/w/1000/i/ca011c36571bebad95e8d25ada2de336fe967b75acfb7ffd40285c1ff4733e63/frottage-1988-peace1.jpg" /&#62;
&#60;img width="2111" height="3044" width_o="2111" height_o="3044" data-src="https://freight.cargo.site/t/original/i/f4cb36d32897a7cb313ad4e694ac1a1b23d576df5c85333204ee9340ab7ef844/frottage-1988-peace2.jpg" data-mid="135934720" border="0"  src="https://freight.cargo.site/w/1000/i/f4cb36d32897a7cb313ad4e694ac1a1b23d576df5c85333204ee9340ab7ef844/frottage-1988-peace2.jpg" /&#62;

&#60;img width="3017" height="2143" width_o="3017" height_o="2143" data-src="https://freight.cargo.site/t/original/i/544456d092308e67e63f7e02e7e13d42bb69a229db48901a3ea0a31369085818/frottage-waldo-love-alina1.jpg" data-mid="135934721" border="0"  src="https://freight.cargo.site/w/1000/i/544456d092308e67e63f7e02e7e13d42bb69a229db48901a3ea0a31369085818/frottage-waldo-love-alina1.jpg" /&#62;
&#60;img width="3017" height="2143" width_o="3017" height_o="2143" data-src="https://freight.cargo.site/t/original/i/2c0de7330844347e30dfa2ae9df191f0dcbafff2e6d6a0449fa9cf26615b662c/frottage-waldo-love-alina2.jpg" data-mid="135934722" border="0"  src="https://freight.cargo.site/w/1000/i/2c0de7330844347e30dfa2ae9df191f0dcbafff2e6d6a0449fa9cf26615b662c/frottage-waldo-love-alina2.jpg" /&#62;


&#60;img width="6296" height="4886" width_o="6296" height_o="4886" data-src="https://freight.cargo.site/t/original/i/f97eb01215a11431ed8eb5cd1534a52b09d2d8c27870b1058c785cde72f7a02a/10.jpg" data-mid="135910856" border="0"  src="https://freight.cargo.site/w/1000/i/f97eb01215a11431ed8eb5cd1534a52b09d2d8c27870b1058c785cde72f7a02a/10.jpg" /&#62;
&#60;img width="6201" height="4717" width_o="6201" height_o="4717" data-src="https://freight.cargo.site/t/original/i/97662cebafbaf8470fee730661a1fb35f3a5d190e0ad63b89a573afe7ad3a8a2/2.jpg" data-mid="135910847" border="0"  src="https://freight.cargo.site/w/1000/i/97662cebafbaf8470fee730661a1fb35f3a5d190e0ad63b89a573afe7ad3a8a2/2.jpg" /&#62;
&#60;img width="6454" height="4973" width_o="6454" height_o="4973" data-src="https://freight.cargo.site/t/original/i/249129ea7e113e90d117f712305efa9678842ca977f30c078e0431b163fd17e5/7.jpg" data-mid="135910853" border="0"  src="https://freight.cargo.site/w/1000/i/249129ea7e113e90d117f712305efa9678842ca977f30c078e0431b163fd17e5/7.jpg" /&#62;
&#60;img width="6050" height="4719" width_o="6050" height_o="4719" data-src="https://freight.cargo.site/t/original/i/f5376d80282ca797f66c31fb4b4081d7a8898d6297dbb03439b5e48c4fcd0941/9.jpg" data-mid="135910855" border="0"  src="https://freight.cargo.site/w/1000/i/f5376d80282ca797f66c31fb4b4081d7a8898d6297dbb03439b5e48c4fcd0941/9.jpg" /&#62;
&#60;img width="6209" height="4796" width_o="6209" height_o="4796" data-src="https://freight.cargo.site/t/original/i/bf17f6478ee691014acdf4be0e0b046307c1857b592eb299500d66480c8c12cd/8.jpg" data-mid="135910854" border="0"  src="https://freight.cargo.site/w/1000/i/bf17f6478ee691014acdf4be0e0b046307c1857b592eb299500d66480c8c12cd/8.jpg" /&#62;
&#60;img width="6203" height="4766" width_o="6203" height_o="4766" data-src="https://freight.cargo.site/t/original/i/91593469b24f5390d7f8ec8cabd0daa723520f0a40acef811b86da5802d0d28c/3.jpg" data-mid="135910849" border="0"  src="https://freight.cargo.site/w/1000/i/91593469b24f5390d7f8ec8cabd0daa723520f0a40acef811b86da5802d0d28c/3.jpg" /&#62;
&#60;img width="5872" height="4550" width_o="5872" height_o="4550" data-src="https://freight.cargo.site/t/original/i/4044e05f6a3fc535ba7afe584616f1dd6bb7104d5e608483ee3eaf800b450fda/6.jpg" data-mid="135910852" border="0"  src="https://freight.cargo.site/w/1000/i/4044e05f6a3fc535ba7afe584616f1dd6bb7104d5e608483ee3eaf800b450fda/6.jpg" /&#62;
&#60;img width="6295" height="4856" width_o="6295" height_o="4856" data-src="https://freight.cargo.site/t/original/i/9df770ee89b7f89efc347a80f9e27c49895e7dd134a5231df97429fb8ee89646/5.jpg" data-mid="135910851" border="0"  src="https://freight.cargo.site/w/1000/i/9df770ee89b7f89efc347a80f9e27c49895e7dd134a5231df97429fb8ee89646/5.jpg" /&#62;
&#60;img width="6455" height="4976" width_o="6455" height_o="4976" data-src="https://freight.cargo.site/t/original/i/4be1ef8f29294335fc5327d768ff088974c6c7bb3edd3e47ca6d3c80bf65c45b/4.jpg" data-mid="135910850" border="0"  src="https://freight.cargo.site/w/1000/i/4be1ef8f29294335fc5327d768ff088974c6c7bb3edd3e47ca6d3c80bf65c45b/4.jpg" /&#62;
&#60;img width="3408" height="2630" width_o="3408" height_o="2630" data-src="https://freight.cargo.site/t/original/i/d906645a6a4e9517bd1f14581ce50546bef9f9abacc194344c34fd33b9074b8b/1.jpg" data-mid="135910846" border="0"  src="https://freight.cargo.site/w/1000/i/d906645a6a4e9517bd1f14581ce50546bef9f9abacc194344c34fd33b9074b8b/1.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Simulacra &#124; 2021</title>
				
		<link>https://giorgiacereda.com/Simulacra-2021</link>

		<pubDate>Thu, 10 Mar 2022 15:08:27 +0000</pubDate>

		<dc:creator>Giorgia Agnese Cereda</dc:creator>

		<guid isPermaLink="true">https://giorgiacereda.com/Simulacra-2021</guid>

		<description>Simulacra

2021 -&#38;nbsp; pastelli e carboncini colorati su carta, 29,7 x 21 cm cad.




Il significato letterale che attribuiamo comunemente alla parola
“simulacro” corrisponde all’oggetto fisico che reca l’immagine di una
divinità; allo stesso tempo, il termine si riferisce ad una condizione di
apparenza del reale, qualcosa, cioè, che lo imita ma non in modo del
tutto fedele. In quest’ultimo senso, simulacro è qualcosa di inautentico,
una simulazione, un falso rappresentante dell’originale. 
La serie di disegni raffigura statue di madonne di legno e terracotta,
già simulacri di per se’, nella nudità del loro scheletro ligneo o spogliate
da simboli sacri. ll disegno è restituito dalla sovrapposizione di più
passaggi di colorazione attraverso il trasferimento di ogni singolo
pigmento in tempi diversi, un sommarsi di tracce che simultaneamente
ricreano la struttura dell’immagine e perdono qualcosa di se’ ad ogni 
passaggio.





&#60;img width="2469" height="3489" width_o="2469" height_o="3489" data-src="https://freight.cargo.site/t/original/i/365f153c27310984231d18bc002451ec20eea3eaa0145d37ad2ef47409bcd62c/viola-2.jpg" data-mid="135908791" border="0"  src="https://freight.cargo.site/w/1000/i/365f153c27310984231d18bc002451ec20eea3eaa0145d37ad2ef47409bcd62c/viola-2.jpg" /&#62;
&#60;img width="2494" height="3488" width_o="2494" height_o="3488" data-src="https://freight.cargo.site/t/original/i/81c419a05ea7f81c9da68c86e5c937cc3fd4d7f34e41a1a06e62d229ea97c366/verde.jpg" data-mid="135908790" border="0"  src="https://freight.cargo.site/w/1000/i/81c419a05ea7f81c9da68c86e5c937cc3fd4d7f34e41a1a06e62d229ea97c366/verde.jpg" /&#62;
&#60;img width="2486" height="3501" width_o="2486" height_o="3501" data-src="https://freight.cargo.site/t/original/i/f502157498c6e4e55b453cde03a305f7f3b400ea577200c0e5881120f2883914/magenta.jpg" data-mid="135908789" border="0"  src="https://freight.cargo.site/w/1000/i/f502157498c6e4e55b453cde03a305f7f3b400ea577200c0e5881120f2883914/magenta.jpg" /&#62;
&#60;img width="2480" height="3500" width_o="2480" height_o="3500" data-src="https://freight.cargo.site/t/original/i/ed05f3f8d202a9b6200f3f5d8c6dfb9fb868405a1b8e35b84e2a839a9bc564e9/blu.jpg" data-mid="135908787" border="0"  src="https://freight.cargo.site/w/1000/i/ed05f3f8d202a9b6200f3f5d8c6dfb9fb868405a1b8e35b84e2a839a9bc564e9/blu.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>From_Untitled &#124; 2021</title>
				
		<link>https://giorgiacereda.com/From_Untitled-2021</link>

		<pubDate>Thu, 17 Feb 2022 08:33:31 +0000</pubDate>

		<dc:creator>Giorgia Agnese Cereda</dc:creator>

		<guid isPermaLink="true">https://giorgiacereda.com/From_Untitled-2021</guid>

		<description>From_Untitled

2021 - calco in gesso ceramico di disegni a grafite su carta, serie 15 x 21 cm cad.
2021 - plaster cast of graphite drawings on paper, 15 x 21 cm each serie.



	
&#60;img width="4709" height="3445" width_o="4709" height_o="3445" data-src="https://freight.cargo.site/t/original/i/d79097500dbc6f58433602586ab6d13c625e2caeebba47e6ff812e3d304a54fc/tavoletta.jpg" data-mid="133793413" border="0"  src="https://freight.cargo.site/w/1000/i/d79097500dbc6f58433602586ab6d13c625e2caeebba47e6ff812e3d304a54fc/tavoletta.jpg" /&#62;
	
La serie di tavolette di gesso approfondisce e amplia alcune tematiche della precedente serie Untitled [fotgotten shores]&#38;nbsp;(2019). Le visioni macroscopiche delle fusioni metalliche, quest’ultime ricavate da un processo che per sua natura comporta la perdita di alcuni dettagli e appone deformazioni casuali, subiscono a loro volta una nuova trasformazione attraverso ulteriori passaggi: dalla fotografia al disegno, dalla carta al gesso.

Il gesso, indurendosi, intrappola la grafite e lo strato superficiale del foglio di carta, restituendo un‘immagine rarefatta del disegno; allo stesso tempo, modificando le proprietà fisiche del supporto, la traccia disegnata ne emerge più fragile e preziosa.

L’oggetto della ricerca subisce una metamorfosi condizionata dalle qualità intrinseche della materia, per essere poi restituito attraverso molteplici stadi di rappresentazione, in un continuo processo di sottrazione.





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</description>
		
	</item>
		
		
	<item>
		<title>Untitled (forgotten shores) &#124; 2019 - in corso</title>
				
		<link>https://giorgiacereda.com/Untitled-forgotten-shores-2019-in-corso</link>

		<pubDate>Thu, 16 Jan 2020 15:31:42 +0000</pubDate>

		<dc:creator>Giorgia Agnese Cereda</dc:creator>

		<guid isPermaLink="true">https://giorgiacereda.com/Untitled-forgotten-shores-2019-in-corso</guid>

		<description>
Untitled [forgotten shores]
2019 - in corso, fusione diretta in piombo e argento, dimensioni variabili.





2019 - in progress,
lead and silver casting,
variable dimensions.

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La serie consiste in diversi tentativi di fusione, con l’obiettivo di trasformare in metallo alcuni esemplari di piante lagunari raccolti sulle barene, un particolare micro-ecosistema tipico della laguna veneziana.La barena è strettamente collegata allo sviluppo storico della civiltà veneziana oltre che alla sopravvivenza della Laguna e della città stessa: ha un effetto importante nel controllare il livello delle maree e la pulizia dell’aria; sostiene la vita di numerosissime specie di flora e fauna, mantenendo la biodiversità dell’ecosistema. Nonostante questo, durante l’ultimo secolo la superficie lagunare coperta dalle barene è diminuita quasi del 70%. L’operazione artistica si inserisce in questo argomento poetico-ecologico con delicatezza, prelevando rami e foglie di salicornia, inula e altre specie da zone in cui crescono ancora rigogliose, senza quindi intaccare l’ecosistema, per trasformarle in due tipi di metallo: il piombo, emblema della tradizionale pesca lagunare ma anche dell’inquinamento da metalli pesanti che ha portato alla parziale distruzione dell’ecosistema; l’argento, strettamente legato alla tradizione alchemica e alla gioielleria, puntando a sottolineare come questi elementi siano preziosi per la vita. La pianta muore nel momento in cui viene prelevata, ma viene resa fossile dalla fusione metallica, uscendo dalle zone periferiche e difficilmente accessibili, segrete, della Laguna per manifestarsi nello spazio espositivo, trasformandosi in un archivio botanico di specie in pericolo.



The series consists of several attempts at metal casting, aimed at transforming specimens of lagoon plants collected on saltmarshes, a particular micro-ecosystem typical of the Venetian lagoon, into metal.The saltmarsh is closely linked to the historical development of Venetian civilization as well as the survival of the lagoon and of the city itself; it has an important role in controlling the level of the tides, in cleaning the air and in the life of numerous species of flora and fauna; it maintains the biodiversity of the ecosystem. Despite this, in the last century the surface area of lagoon covered by saltmarshes has decreased by almost 70%.The artistic operation enters into this poetic-ecological landscape with delicacy, taking branches and leaves of salicornia, inula and other species from the area where they still thrive, without therefore affecting the ecosystem, to transform into two types of metal: lead, emblem of traditional lagoon fishing but also of heavy metal pollution which led to the partial destruction of the ecosystem; and silver, closely linked to the alchemical tradition and jewelry making, aiming to underline how these essential elements are precious for life.The plant dies the moment it is picked, but is made immortal by the metal casting, leaving the damaged and not easily accessible, secret areas of the Lagoon to manifest themselves in the exhibition space, a botanical archive of endangered species.








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</description>
		
	</item>
		
		
	<item>
		<title>I dolci e i matti &#124; 2020</title>
				
		<link>https://giorgiacereda.com/I-dolci-e-i-matti-2020</link>

		<pubDate>Tue, 08 Jun 2021 21:58:49 +0000</pubDate>

		<dc:creator>Giorgia Agnese Cereda</dc:creator>

		<guid isPermaLink="true">https://giorgiacereda.com/I-dolci-e-i-matti-2020</guid>

		<description>I dolci e i matti

2020, grafite e carboncino su carta, serie 29,7 x 21 cm.
2020, graphite and charcoal on paper, 29,7 x 21 cm series.



Il progetto nasce per la realizzazione di un libricino di disegni, “I dolci e i matti”, pubblicato a maggio 2021 da bruno (Venezia).
Il libricino fa parte della mini collana “Salsiccette Snack”, da un’idea di Thomas Braida.



	
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I soggetti de I dolci e i matti sono alcune statuette del presepe napoletano tradizionale, figure in legno e ceramica composte da vari elementi, ciascuno di essi realizzato e decorato a mano da abili artigiani, e impreziosite di vesti e orpelli. Si tratta di oggetti molto particolari e costosi, di un’altezza che va dai 30 cm sino a sfiorare il metro, e che ancora vengono realizzati e messi in vendita nelle botteghe più tradizionali. 

La quasi totalità dei personaggi che si trovano ne I dolci e i matti compongono il ricco retroscena popolare e pagano che accompagna la natività cristiana: passanti, venditori ambulanti, fruttivendoli, signore ben vestite, ubriaconi, musicisti, seni scoperti, animali da cortile o anche spesso esotici, costituiscono il grande rituale quotidiano della vita in paese, contribuendo alla costruzione della nota scena presepiale napoletana, in cui il cristiano e il pagano, il Bene e il Male, coesistono. Il libricino vuole richiamare questa dualità sotto molteplici punti di vista: come suggerito dal titolo e dalla netta divisione interna costituita dalla frase “Dopo il tramonto, tutti diventano mostri”, i disegni sono articolati in modo da costituire una narrazione suddivisa in due fasi, quella del giorno, del lavoro, delle passeggiate e degli incontri fortuiti, e quella della notte, della baldoria, dell’alcol, della frenesia-follia. 

Un solo personaggio si discosta dagli altri: una statuetta della Madonna, spogliata delle sue vesti, dei simboli cristiani e dei gioielli, osserva la scena con sguardo impassibile. Sotto il suo sguardo, tutti gli altri personaggi si fondono in uno sciame brulicante e diventano, allo stesso tempo, un po’ dolci e un po’ matti, ambivalenti, sia prima sia dopo il tramonto. Ogni tanto, qualcuno di questi personaggi si accorge della sua presenza e volge lo sguardo al cielo.

Attraverso un’altra chiave di lettura, più diaristica e personale, la narrazione richiama al circolo vizioso della mia vita passata a Venezia, gli incontri con gli amici (alcuni dei quali ritrovo nei volti e nelle posture di questi personaggi) e le feste improvvisate che spesso, oramai per un senso di abitudinarietà, mi ritrovo a vivere con distacco. La Madonna, in questo caso, è colei che narra la storia e diventa il mio alter ego.







	
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</description>
		
	</item>
		
		
	<item>
		<title>Archive of personal desires III: Teresa &#124; 2019 - in corso</title>
				
		<link>https://giorgiacereda.com/Archive-of-personal-desires-III-Teresa-2019-in-corso</link>

		<pubDate>Fri, 17 Jan 2020 14:36:21 +0000</pubDate>

		<dc:creator>Giorgia Agnese Cereda</dc:creator>

		<guid isPermaLink="true">https://giorgiacereda.com/Archive-of-personal-desires-III-Teresa-2019-in-corso</guid>

		<description>

Archive of Personal Desires III: Teresa

2019 - in corso,
rapidograph su carta 80 gr,
serie 20 x 14 cm.



2019 - in progress,
technical pen on paper 80 gr,
20 x 14 cm series.

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Detail






I disegni rappresentano un frammento della vasta collezione di oggetti appartenuti a mia nonna Teresa, che ho ritratto a partire dalla primavera del 2019. L’archivio visivo, non ancora terminato, si propone di catalogare centinaia di soprammobili, cimeli e chincaglierie accumulate negli anni dalla nonna e lasciate in sua memoria alle sue sei figlie. Il processo d’archivio inizia dagli oggetti lasciati a mia madre, di cui i disegni rappresentano una parte, e intende osservarli annullando ogni differenza di valore e scala, traducendo ognuno di essi in linee essenziali e sovrapposte nello stesso spazio del foglio 20x14.

Questa traduzione “povera” segue linee verticali quasi identiche tra loro, che si vanno a sovrapporre, mutando in intensità e dando origine a un’immagine che è copia infedele dell’originale. L’oggetto ne emerge come un ricordo rarefatto, l’equivalente analogico di un’immagine pixelata, fuori fase perché appartenente ad un’altra temporalità. Allo stesso modo, il valore dell’oggetto non è da identificare nelle sue qualità intrinseche, ma nell’essere la traduzione fisica di un ricordo.

Questo modo di disegnare mi costringe a procedere in maniera lenta e analitica, ripetendo le linee innumerevoli volte. Così, l’immagine si traduce in disegno attraverso la mia memoria, rimanendovi al contempo intrappolata: un processo meditativo e di ri-conoscimento di oggetti intrisi di storie familiari, racconti ed esperienze passate. La collezione di oggetti, spesso apparentemente assurdi o privi di importanza, è sopravvissuta al passare del tempo grazie all’attaccamento di una famiglia. L’atto artistico di tradurli in questa maniera, condividendoli, vuole sottolineare la storia e l’evoluzione di un affetto familiare privato che può essere immediatamente accessibile a ognuno.



These drawings portray just a fragment of the vast collection of objects that belonged to my Grandma Teresa, and which I have been depicting since the spring of 2019. This visual archive, which is still incomplete, exists with the intention of cataloguing the hundreds of ornaments, keepsakes and trinkets collected over the years by my grandma and left, in her memory, to her six children. The archiving process, beginning with the objects that were left to my mother, aims to observe whilst cancelling out the differences in value and size between them. The process translates each of the objects into essential lines laid out always in the same space on a 20x14cm sheet of paper.

This “poor” translation runs along practically identical vertical lines. As these lines are superimposed one on top of the other, they create variations in intensity and give birth to an image which reproduces the original object, an unfaithful copy. The object emerges in the form of a subtle memory, the analogic equivalent of a pixelated image, out of sync, belonging to another time. Equally the value of the object is not found in its intrinsic qualities but as a physical embodiment of a memory.
 
This manner of drawing forces me to work slowly and analytically, in the repetition of countless lines. And so, the image is translated through my memory, and at the same time remain stuck there within. It is a meditative process, a process of re-cognition of objects intrinsic to my family history, of stories and of past experiences. The collection of objects, which often appear absurd or unimportant in and of themselves, has survived the passage of time thanks to the bond of a family. The artistic action of their translation, sharing them in this way, hopes to underline the history and evolution of private family affection and render it immediately accessible to everyone.







I. Marilisa:


&#38;nbsp; &#38;nbsp; 
Netsuke d’avorio, pescatore // Ivory Netsuke, the fisherman

Netsuke d’avorio, padre e figlio - maestro e allievo // Ivory Netsuke, father and son - teacher and pupil

Asinello d’argento //&#38;nbsp;Small silver donkey

Spilla d’argento a forma di farfalla // Silver brooch in the shape of a butterfly

Binocolo da teatro in ottone e madreperla // Mother of pearl and gilded brass Opera Glasses

Gatto in resina rivestito d’argento // Silver coated resin cat

Posacere in ottone a forma di conchiglia e ghiande // Brass ashtray in the shape of a seashell with acorns

 Anatroccoli d’argento // Tiny silver ducklings

Cigno d’argento // Silver swan

Cigno d’argento, cavità //&#38;nbsp;Silver swan, cavity

Antilope d’argento // Small silver antelope

Giraffina d’argento // Small silver giraffe

Triciclo mobile d’argento // Tiny silver tricycle

Barchetta a vela d’argento // Tiny silver sailboat

Boccetta di profumo a mezzaluna // Half moon perfume bottle

 Boccetta di profumo triangolare // Triangle perfume bottle

Bicchierino d’argento ossidato // Oxidized silver glass

Bicchierino d’argento // Small silver glass

Lampada a olio in pasta di vetro dipinta // Painted glass oil lamp

Tartaruga in ceramica di Caltagirone // Caltagirone ceramic turtle

Bulldog in porcellana danese dipinta // Danish porcelain bulldog

Scarpetta in porcellana con vitigno // Small ceramic shoe with grapevine decoration

Scarpetta in porcellana con rosa //&#38;nbsp;Small ceramic shoe with rose decoration

Taglia carta estraibile con gatto in ottone // Paper cutter with brass handle in the shape of a cat

 Porta pillole con gatto in ceramica dipinta

Uccellino in porcellana dipinta

Uccellino in porcellana Bisquit

Burattino a pressione in legno, gatto nero // Wooden black cat push puppet

Burattino a pressione in legno, gatto tigrato // Wooden tabby cat push puppet

Bambolotto in porcellana Bisquit

Gatto in Pietra Paesina

Porta oggetti d’argento

Boccetta di profumo d’argento decorata

Marionetta in porcellana dipinta

Piccola gondola in lega metallica


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&#60;img width="3147" height="4739" width_o="3147" height_o="4739" data-src="https://freight.cargo.site/t/original/i/919907b2c4c42b7381a562b03c261c5a07a4755746487851d62d15a77a4f0bc1/2.jpg" data-mid="70594384" border="0" alt="2. Netsuke d&#38;rsquo;avorio, padre e figlio - maestro e allievo &#124; Ivory Netsuke, father and son - teacher and pupil" data-caption="2. Netsuke d’avorio, padre e figlio - maestro e allievo &#124; Ivory Netsuke, father and son - teacher and pupil" src="https://freight.cargo.site/w/1000/i/919907b2c4c42b7381a562b03c261c5a07a4755746487851d62d15a77a4f0bc1/2.jpg" /&#62;
&#60;img width="3133" height="4703" width_o="3133" height_o="4703" data-src="https://freight.cargo.site/t/original/i/f2c0c1dbca1a6dcb9a7a7f2165819701134f7b4e2162d1f26175548f85594164/3.jpg" data-mid="70594385" border="0" alt="3. Asinello d&#38;rsquo;argento &#124;&#38;nbsp;Small silver donkey" data-caption="3. Asinello d’argento &#124;&#38;nbsp;Small silver donkey" src="https://freight.cargo.site/w/1000/i/f2c0c1dbca1a6dcb9a7a7f2165819701134f7b4e2162d1f26175548f85594164/3.jpg" /&#62;
&#60;img width="3179" height="4727" width_o="3179" height_o="4727" data-src="https://freight.cargo.site/t/original/i/3b95726d3244a9e4fc906f7557361a1aba78a7dc6228d4cebd83ba7178266a98/4.jpg" data-mid="70594386" border="0" alt="4. Spilla d&#38;rsquo;argento a forma di farfalla &#124; Silver brooch in the shape of a butterfly" data-caption="4. Spilla d’argento a forma di farfalla &#124; Silver brooch in the shape of a butterfly" src="https://freight.cargo.site/w/1000/i/3b95726d3244a9e4fc906f7557361a1aba78a7dc6228d4cebd83ba7178266a98/4.jpg" /&#62;
&#60;img width="3144" height="4662" width_o="3144" height_o="4662" data-src="https://freight.cargo.site/t/original/i/a5451569bec634af3de87c9e5131ca9b189e2fb0a11514f24b51098f4482fe91/5.jpg" data-mid="70594387" border="0" alt="5. Binocolo da teatro in ottone e madreperla &#124; Mother of pearl and gilded brass Opera Glasses" data-caption="5. Binocolo da teatro in ottone e madreperla &#124; Mother of pearl and gilded brass Opera Glasses" src="https://freight.cargo.site/w/1000/i/a5451569bec634af3de87c9e5131ca9b189e2fb0a11514f24b51098f4482fe91/5.jpg" /&#62;
&#60;img width="3207" height="4784" width_o="3207" height_o="4784" data-src="https://freight.cargo.site/t/original/i/6662bd37a069590bd9efd7cdd0884ff2c3a8fb733a33d18d4d821303e5792f9d/6.jpg" data-mid="70594388" border="0" alt="6. Gatto in resina rivestito d&#38;rsquo;argento &#124; Silver coated resin cat" data-caption="6. Gatto in resina rivestito d’argento &#124; Silver coated resin cat" src="https://freight.cargo.site/w/1000/i/6662bd37a069590bd9efd7cdd0884ff2c3a8fb733a33d18d4d821303e5792f9d/6.jpg" /&#62;
&#60;img width="3159" height="4730" width_o="3159" height_o="4730" data-src="https://freight.cargo.site/t/original/i/72762c55fac56b01637d8814b92d42c014fbf0f9d5ed23e55e10eb95734ebcdc/7.jpg" data-mid="70594389" border="0" alt="7. Posacere in ottone a forma di conchiglia e ghiande &#124; Brass ashtray in the shape of a seashell with acorns" data-caption="7. Posacere in ottone a forma di conchiglia e ghiande &#124; Brass ashtray in the shape of a seashell with acorns" src="https://freight.cargo.site/w/1000/i/72762c55fac56b01637d8814b92d42c014fbf0f9d5ed23e55e10eb95734ebcdc/7.jpg" /&#62;
&#60;img width="3224" height="4812" width_o="3224" height_o="4812" data-src="https://freight.cargo.site/t/original/i/e7d8e605821fa491ca165f5922abacdeaae34808bda3274f196088a375bd4143/8.jpg" data-mid="70594390" border="0" alt="8. Anatroccoli d&#38;rsquo;argento &#124; Tiny silver ducklings" data-caption="8. Anatroccoli d’argento &#124; Tiny silver ducklings" src="https://freight.cargo.site/w/1000/i/e7d8e605821fa491ca165f5922abacdeaae34808bda3274f196088a375bd4143/8.jpg" /&#62;
&#60;img width="3205" height="4822" width_o="3205" height_o="4822" data-src="https://freight.cargo.site/t/original/i/db6c5cd64fadd2adeac5f51f4551df1e541faea7807ddcd1acb1db5a6015578f/9.jpg" data-mid="70594392" border="0" alt="9. Cigno d&#38;rsquo;argento &#124; Silver swan" data-caption="9. Cigno d’argento &#124; Silver swan" src="https://freight.cargo.site/w/1000/i/db6c5cd64fadd2adeac5f51f4551df1e541faea7807ddcd1acb1db5a6015578f/9.jpg" /&#62;
&#60;img width="3210" height="4742" width_o="3210" height_o="4742" data-src="https://freight.cargo.site/t/original/i/d75c7a357e3a26fde78093ee46dd2120f18f3e79870f7375fcab2c2d949f77b7/10.jpg" data-mid="70594394" border="0" alt="10. Cigno d&#38;rsquo;argento, cavit&#38;agrave; &#124;&#38;nbsp;Silver swan, cavity" data-caption="10. Cigno d’argento, cavità &#124;&#38;nbsp;Silver swan, cavity" src="https://freight.cargo.site/w/1000/i/d75c7a357e3a26fde78093ee46dd2120f18f3e79870f7375fcab2c2d949f77b7/10.jpg" /&#62;
&#60;img width="3218" height="4822" width_o="3218" height_o="4822" data-src="https://freight.cargo.site/t/original/i/bfeee825d35686462e4c36f9c40fa408e0b68e4d97734ca7e590a6a9c60e0e33/11.jpg" data-mid="70594395" border="0" alt="11. Antilope d&#38;rsquo;argento &#124; Small silver antelope" data-caption="11. Antilope d’argento &#124; Small silver antelope" src="https://freight.cargo.site/w/1000/i/bfeee825d35686462e4c36f9c40fa408e0b68e4d97734ca7e590a6a9c60e0e33/11.jpg" /&#62;
&#60;img width="3088" height="4580" width_o="3088" height_o="4580" data-src="https://freight.cargo.site/t/original/i/dcbdb672ecff7085122fcf77eb5505173969b34df9584c03e5afaee0b9f26f54/12.jpg" data-mid="70594396" border="0" alt="12. Giraffina d&#38;rsquo;argento &#124; Small silver giraffe" data-caption="12. Giraffina d’argento &#124; Small silver giraffe" src="https://freight.cargo.site/w/1000/i/dcbdb672ecff7085122fcf77eb5505173969b34df9584c03e5afaee0b9f26f54/12.jpg" /&#62;
&#60;img width="3231" height="4795" width_o="3231" height_o="4795" data-src="https://freight.cargo.site/t/original/i/706ad464aeafb3feb2ac990cfc036feaa0065e0b7f9b801b2c11ac62eabe999c/13.jpg" data-mid="70594398" border="0" alt="13. Triciclo mobile d&#38;rsquo;argento &#124; Tiny silver tricycle" data-caption="13. Triciclo mobile d’argento &#124; Tiny silver tricycle" src="https://freight.cargo.site/w/1000/i/706ad464aeafb3feb2ac990cfc036feaa0065e0b7f9b801b2c11ac62eabe999c/13.jpg" /&#62;
&#60;img width="3071" height="4534" width_o="3071" height_o="4534" data-src="https://freight.cargo.site/t/original/i/73e36783f19e1f7bfbe7bf28e72d61ceda89dd1ad3830a424d01d5d12572132c/14-x-sito.jpg" data-mid="70601888" border="0" alt="14. Barchetta a vela d&#38;rsquo;argento &#124; Tiny silver sailboat" data-caption="14. Barchetta a vela d’argento &#124; Tiny silver sailboat" src="https://freight.cargo.site/w/1000/i/73e36783f19e1f7bfbe7bf28e72d61ceda89dd1ad3830a424d01d5d12572132c/14-x-sito.jpg" /&#62;
&#60;img width="3039" height="4521" width_o="3039" height_o="4521" data-src="https://freight.cargo.site/t/original/i/296d2830150ee0852dfaa3e2f76f97a34c2796de17a32cff6a5e1576a06c8819/15.jpg" data-mid="70594399" border="0" alt="15. Boccetta di profumo a mezzaluna &#124; Half moon perfume bottle" data-caption="15. Boccetta di profumo a mezzaluna &#124; Half moon perfume bottle" src="https://freight.cargo.site/w/1000/i/296d2830150ee0852dfaa3e2f76f97a34c2796de17a32cff6a5e1576a06c8819/15.jpg" /&#62;
&#60;img width="3170" height="4742" width_o="3170" height_o="4742" data-src="https://freight.cargo.site/t/original/i/43dc84f47b7897a89ed2f6f6f375cee8db94424da1ad02c146d597508e157845/16.jpg" data-mid="70594402" border="0" alt="16. Boccetta di profumo triangolare &#124; Triangle perfume bottle" data-caption="16. Boccetta di profumo triangolare &#124; Triangle perfume bottle" src="https://freight.cargo.site/w/1000/i/43dc84f47b7897a89ed2f6f6f375cee8db94424da1ad02c146d597508e157845/16.jpg" /&#62;
&#60;img width="3165" height="4675" width_o="3165" height_o="4675" data-src="https://freight.cargo.site/t/original/i/fee4790c735dc462a492ea80e784360f44140f9e54357a0f28ef580d967453b4/17-per-sito.jpg" data-mid="70602386" border="0" alt="17. Bicchierino d&#38;rsquo;argento ossidato &#124; Oxidized silver glass" data-caption="17. Bicchierino d’argento ossidato &#124; Oxidized silver glass" src="https://freight.cargo.site/w/1000/i/fee4790c735dc462a492ea80e784360f44140f9e54357a0f28ef580d967453b4/17-per-sito.jpg" /&#62;
&#60;img width="3142" height="4664" width_o="3142" height_o="4664" data-src="https://freight.cargo.site/t/original/i/c5bbb9a9a4a5b72d68ceae24c0bd71ec7076005817f8eee724598f320dbba23e/19-per-sito.jpg" data-mid="70602570" border="0" alt="18. Bicchierino d&#38;rsquo;argento &#124; Small silver glass" data-caption="18. Bicchierino d’argento &#124; Small silver glass" src="https://freight.cargo.site/w/1000/i/c5bbb9a9a4a5b72d68ceae24c0bd71ec7076005817f8eee724598f320dbba23e/19-per-sito.jpg" /&#62;
&#60;img width="3185" height="4734" width_o="3185" height_o="4734" data-src="https://freight.cargo.site/t/original/i/02b47b9683abe2bf6a759a946743fd3bdb255673223a14bb5aeceffa8195d399/18.jpg" data-mid="70594441" border="0" alt="19. Lampada a olio in pasta di vetro dipinta &#124; Painted glass oil lamp" data-caption="19. Lampada a olio in pasta di vetro dipinta &#124; Painted glass oil lamp" src="https://freight.cargo.site/w/1000/i/02b47b9683abe2bf6a759a946743fd3bdb255673223a14bb5aeceffa8195d399/18.jpg" /&#62;
&#60;img width="3165" height="4632" width_o="3165" height_o="4632" data-src="https://freight.cargo.site/t/original/i/b8ee1df7faf8c48ef00cc9cb02c7f5e168a08b7fab9dcbc4efcb734e40a99867/20-per-sito.jpg" data-mid="70602714" border="0" alt="20. Tartaruga in ceramica di Caltagirone &#124; Caltagirone ceramic turtle" data-caption="20. Tartaruga in ceramica di Caltagirone &#124; Caltagirone ceramic turtle" src="https://freight.cargo.site/w/1000/i/b8ee1df7faf8c48ef00cc9cb02c7f5e168a08b7fab9dcbc4efcb734e40a99867/20-per-sito.jpg" /&#62;
&#60;img width="3165" height="4664" width_o="3165" height_o="4664" data-src="https://freight.cargo.site/t/original/i/b5000df86d6af64c4275447d33d539d5186d60f894c069d4138d606817f4f9ba/21-per-sito.jpg" data-mid="70602917" border="0" alt="21. Bulldog in porcellana danese dipinta &#124; Danish porcelain bulldog" data-caption="21. Bulldog in porcellana danese dipinta &#124; Danish porcelain bulldog" src="https://freight.cargo.site/w/1000/i/b5000df86d6af64c4275447d33d539d5186d60f894c069d4138d606817f4f9ba/21-per-sito.jpg" /&#62;
&#60;img width="3256" height="4849" width_o="3256" height_o="4849" data-src="https://freight.cargo.site/t/original/i/6d6076241734c890731aaac30f3278e68936840724aeebdc3e6a9369656ff179/22.jpg" data-mid="70594460" border="0" alt="22. Scarpetta in porcellana con vitigno &#124; Small ceramic shoe with grapevine decoration" data-caption="22. Scarpetta in porcellana con vitigno &#124; Small ceramic shoe with grapevine decoration" src="https://freight.cargo.site/w/1000/i/6d6076241734c890731aaac30f3278e68936840724aeebdc3e6a9369656ff179/22.jpg" /&#62;
&#60;img width="3229" height="4759" width_o="3229" height_o="4759" data-src="https://freight.cargo.site/t/original/i/b92913b57dac486b93f92100c53b84b93a23483699a51501421d363e264ed44e/23.jpg" data-mid="70594461" border="0" alt="23. Scarpetta in porcellana con rosa &#124;&#38;nbsp;Small ceramic shoe with rose decoration" data-caption="23. Scarpetta in porcellana con rosa &#124;&#38;nbsp;Small ceramic shoe with rose decoration" src="https://freight.cargo.site/w/1000/i/b92913b57dac486b93f92100c53b84b93a23483699a51501421d363e264ed44e/23.jpg" /&#62;
&#60;img width="3209" height="4879" width_o="3209" height_o="4879" data-src="https://freight.cargo.site/t/original/i/e824d44459d394660df6e2388801e146836c5042034b1c260a93589c902e04b1/24.jpg" data-mid="70594462" border="0" alt="24. Taglia carta estraibile con gatto in ottone &#124; Paper cutter with brass handle in the shape of a cat" data-caption="24. Taglia carta estraibile con gatto in ottone &#124; Paper cutter with brass handle in the shape of a cat" src="https://freight.cargo.site/w/1000/i/e824d44459d394660df6e2388801e146836c5042034b1c260a93589c902e04b1/24.jpg" /&#62;
&#60;img width="3165" height="4664" width_o="3165" height_o="4664" data-src="https://freight.cargo.site/t/original/i/e268dffad24f9f57f0a30f8792e956923dc0faf49c1a37d9b63588a8736a59ad/25-per-sito.jpg" data-mid="70603125" border="0" alt="25. Porta pillole con gatto in ceramica dipinta" data-caption="25. Porta pillole con gatto in ceramica dipinta" src="https://freight.cargo.site/w/1000/i/e268dffad24f9f57f0a30f8792e956923dc0faf49c1a37d9b63588a8736a59ad/25-per-sito.jpg" /&#62;
&#60;img width="3165" height="4682" width_o="3165" height_o="4682" data-src="https://freight.cargo.site/t/original/i/c2b40ef50b630bfe24a4ec6d2e3e0845176acabb19ad60b7e617a79ce8f882f7/26-per-sito.jpg" data-mid="70603404" border="0" alt="26. Uccellino in porcellana dipinta" data-caption="26. Uccellino in porcellana dipinta" src="https://freight.cargo.site/w/1000/i/c2b40ef50b630bfe24a4ec6d2e3e0845176acabb19ad60b7e617a79ce8f882f7/26-per-sito.jpg" /&#62;
&#60;img width="3165" height="4681" width_o="3165" height_o="4681" data-src="https://freight.cargo.site/t/original/i/b7532016aaa2ed4cc50f60a4e5612865be445b8e527a9537ed001bff17845bb1/27-per-sito.jpg" data-mid="70603607" border="0" alt="27. Uccellino in porcellana Bisquit" data-caption="27. Uccellino in porcellana Bisquit" src="https://freight.cargo.site/w/1000/i/b7532016aaa2ed4cc50f60a4e5612865be445b8e527a9537ed001bff17845bb1/27-per-sito.jpg" /&#62;
&#60;img width="3165" height="4656" width_o="3165" height_o="4656" data-src="https://freight.cargo.site/t/original/i/dd47e469c31874da63c127c06c3e2276e6dd8b6a19f2b1ed52d4ffb1bdfaae42/28-per-sito.jpg" data-mid="70603851" border="0" alt="28. Burattino a pressione in legno, gatto nero &#124; Wooden black cat push puppet" data-caption="28. Burattino a pressione in legno, gatto nero &#124; Wooden black cat push puppet" src="https://freight.cargo.site/w/1000/i/dd47e469c31874da63c127c06c3e2276e6dd8b6a19f2b1ed52d4ffb1bdfaae42/28-per-sito.jpg" /&#62;
&#60;img width="3236" height="4762" width_o="3236" height_o="4762" data-src="https://freight.cargo.site/t/original/i/8614db451b0eb1bf5b45eecaa35230a62e4a3e1806aff04bcae9c796707af2f6/29.jpg" data-mid="70594464" border="0" alt="29. Burattino a pressione in legno, gatto tigrato &#124; Wooden tabby cat push puppet" data-caption="29. Burattino a pressione in legno, gatto tigrato &#124; Wooden tabby cat push puppet" src="https://freight.cargo.site/w/1000/i/8614db451b0eb1bf5b45eecaa35230a62e4a3e1806aff04bcae9c796707af2f6/29.jpg" /&#62;
&#60;img width="3246" height="4760" width_o="3246" height_o="4760" data-src="https://freight.cargo.site/t/original/i/8f5ade768e6e940f1218b18a77649512843a0936c438ef883cde89d02df5880a/30.jpg" data-mid="70594465" border="0" alt="30. Bambolotto in porcellana Bisquit" data-caption="30. Bambolotto in porcellana Bisquit" src="https://freight.cargo.site/w/1000/i/8f5ade768e6e940f1218b18a77649512843a0936c438ef883cde89d02df5880a/30.jpg" /&#62;
&#60;img width="3249" height="4825" width_o="3249" height_o="4825" data-src="https://freight.cargo.site/t/original/i/9c08eb4ea292abe4d5cfa1c4f8f7c5066386ab5961c762aa2eb737c1c85cff5b/31.jpg" data-mid="70594470" border="0" alt="31. Gatto in Pietra Paesina" data-caption="31. Gatto in Pietra Paesina" src="https://freight.cargo.site/w/1000/i/9c08eb4ea292abe4d5cfa1c4f8f7c5066386ab5961c762aa2eb737c1c85cff5b/31.jpg" /&#62;
&#60;img width="3215" height="4755" width_o="3215" height_o="4755" data-src="https://freight.cargo.site/t/original/i/e51cec6eee830268028cbdd2b6421c806b923e457e0608b3592e70275e42e363/32.jpg" data-mid="70594472" border="0" alt="32. Porta oggetti d&#38;rsquo;argento" data-caption="32. Porta oggetti d’argento" src="https://freight.cargo.site/w/1000/i/e51cec6eee830268028cbdd2b6421c806b923e457e0608b3592e70275e42e363/32.jpg" /&#62;
&#60;img width="3213" height="4760" width_o="3213" height_o="4760" data-src="https://freight.cargo.site/t/original/i/4ba6801998274303521e9ed8d0d0f43ad7f947f3a2dea2fafb3a03454b1d7c4a/33.jpg" data-mid="70594473" border="0" alt="33. Boccetta di profumo d&#38;rsquo;argento decorata" data-caption="33. Boccetta di profumo d’argento decorata" src="https://freight.cargo.site/w/1000/i/4ba6801998274303521e9ed8d0d0f43ad7f947f3a2dea2fafb3a03454b1d7c4a/33.jpg" /&#62;
&#60;img width="3102" height="4667" width_o="3102" height_o="4667" data-src="https://freight.cargo.site/t/original/i/706bf3237ca70b8cba3ea22e0aed6d0bf6d06267c21fc62ac5515a95769c6010/34.jpg" data-mid="70594474" border="0" alt="34. Marionetta in porcellana dipinta" data-caption="34. Marionetta in porcellana dipinta" src="https://freight.cargo.site/w/1000/i/706bf3237ca70b8cba3ea22e0aed6d0bf6d06267c21fc62ac5515a95769c6010/34.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Il sessantottesimo compleanno di Biagio &#124; 2020</title>
				
		<link>https://giorgiacereda.com/Il-sessantottesimo-compleanno-di-Biagio-2020</link>

		<pubDate>Fri, 17 Jan 2020 11:20:49 +0000</pubDate>

		<dc:creator>Giorgia Agnese Cereda</dc:creator>

		<guid isPermaLink="true">https://giorgiacereda.com/Il-sessantottesimo-compleanno-di-Biagio-2020</guid>

		<description>

Il sessantottesimo compleanno di Biagio

Biagio’s 68th birthday

2020,
grafite su carta, fotografie abbandonate di una famiglia sconosciuta,
dimensioni variabili.



2020,
graphite on paper, abandoned photographs of an unknown family,
variable dimensions.


&#60;img width="4134" height="4134" width_o="4134" height_o="4134" data-src="https://freight.cargo.site/t/original/i/1d5eb283b74912e24c40b0c4ec9e41b206a40bb6c2ecf9e83402602766858abf/cereda.9c.jpg" data-mid="83886242" border="0"  src="https://freight.cargo.site/w/1000/i/1d5eb283b74912e24c40b0c4ec9e41b206a40bb6c2ecf9e83402602766858abf/cereda.9c.jpg" /&#62;
&#60;img width="2356" height="2356" width_o="2356" height_o="2356" data-src="https://freight.cargo.site/t/original/i/1d208a7cd6b996507c2d64a62e30c6962fa9e75f2d69ac7ea36d1587e30a9d19/cereda.9b.jpg" data-mid="83889267" border="0"  src="https://freight.cargo.site/w/1000/i/1d208a7cd6b996507c2d64a62e30c6962fa9e75f2d69ac7ea36d1587e30a9d19/cereda.9b.jpg" /&#62;



Nell’estate 2018, da una bancarella del mercato d’antiquariato di Marina di
Modica, in provincia di Ragusa, ho comprato una macchina fotografica Zenit
del 1990. Insieme ad essa, il mercante mi ha regalato due rullini usati scattati dalla stessa macchina, uno dei quali ancora inserito al suo interno. Le
pellicole - di marca Perutz e fuori produzione da vent’anni - erano piuttosto
datate, le ho quindi sviluppate senza
l’aspettativa di trovarvi nulla, per pura curiosità. 
Sorprendentemente è invece
emersa una collezione di scatti privati che ruotano intorno al compleanno di
un signore di nome Biagio: il nonno di una sconosciuta famiglia del ragusano.

Lo stile è tipicamente famigliare, in entrambe le accezioni del termine: è
vicino alla sensibilità di ognuno di noi, possiamo immediatamente leggere
il contesto in cui le foto sono state scattate e i rapporti che intercorrono tra
i diversi membri della famiglia; questo perché ognuno si è trovato immerso
in una situazione analoga, che sopravvive ostinatamente all’evoluzione della
tecnica: non ha importanza se lo strumento sia la pittura nel Rinascimento,
la macchina fotografica di grande formato di Thomas Struth negli anni ‘90 o
l’iPhone della zia allo scorso Natale. Il linguaggio implicito della ritrattistica permea inconsapevolmente ognuno di noi, incluso ovviamente anche l’uomo o la donna dietro all’obiettivo del compleanno di Biagio che non ha nessuna voglia di comporre l’immagine: famigliari si posizionano seguendo i preconcetti della foto di gruppo ma in modo caotico e nell’inquadratura
spuntano elementi che un fotografo definirebbe di disturbo - un sacchetto
della spesa, mani e teste che rubano il fuoco automatico della macchina e via
dicendo.Questo fattore di profonda personalità, di empatia verso una famiglia di
sconosciuti, mi ha spinta a “scavare” nei negativi giunti a me per caso, investigandone i dettagli per collocare questa scena nello spazio e nel tempo:
sulla torta compare la scritta “Buon 68 Compleanno Biagio”, sulla felpa di un
nipote compare il nome di un’associazione calcistica di Scicli, alle spalle di un
bambino appare il calendario del 2000. I disegni realizzati tramite il ricalco su un supporto cartaceo,
insieme agli ingrandimenti digitali effettuati sulle fotografie, rivelano dettagli
curiosi sulle personalità dei vari membri della famiglia o situazioni che sfuggono alla logica del ritratto.
Lo stile volutamente fumettistico e il segno frammentato contribuiscono
nell’alienare alcune dinamiche dalla scena principale, ricostruendo una
narrativa parallela. Rompendo l’immagine così caratterizzata del ritratto
fotografico, i personaggi se ne liberano emergendo come partecipi di un’altra
possibile storia, unica e indipendente.

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In summer 2018, I bought a 1990 Zenit camera from a stall at the flea market in Marina di Modica, in the province of Ragusa. Together with it, the merchant gave me two used rolls of film, one of which was still inside the camera. The films - brand Perutz and out of production since twenty years - were quite dated, so I developed them without expectations of finding anything, out of pure curiosity. Surprisingly, however, a collection of private shots emerged. These photos revolve around the birthday of a man named Biagio: the grandfather of an unknown Ragusan family.
The style is typically familiar, in both senses of the term, it’s a kind of sensibility which is in all of us. We can immediately read the context in which the photos were taken and the relationships that exist between the different family members, because everyone has found themselves immersed in a similar situation. It is a form of experience which stubbornly survives the evolution of the technique, whether the instrument is painting in the Renaissance, the large format camera by Thomas Struth in the 90s or the aunt’s iPhone last Christmas. The implicit language of portraiture unknowingly permeates each of us, obviously including the man or woman behind the lens at Biagio's birthday who has no desire to compose the image. Family members position themselves following the preconceptions of the group photo but in a chaotic way, and in the frame there are elements that a photographer would define as disturbing - a shopping bag, hands and heads that steal the automatic focus of the camera and so on.
This factor of profound personality, of empathy towards a family of strangers, pushed me to "dig" into the negatives that came to me by chance, investigating the details which allow one to place this scene in space and time. Through the digital blowup I analyzed the details that lie in the background of the story: on the cake the inscription "Happy 68th Birthday Biagio" appears, on the sweatshirt of a nephew appears the name of a football club from Scicli, behind a child appears the calendar of 2000.
The drawings - in a deliberately comic style - , made by tracing on a paper support, reveal curious details about the personalities of the various members of the family or situations that escape the logic of the portrait. The characters escape and become potential participants in an alternative narrative, unique and independent. By breaking the rules and structure of the family portrait, the characters escape and become potential participants in an alternative narrative, unique and independent.




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